Hetian jade culture and Buddhist culture

We all know that the Tang dynasty took place in the Tang Dynasty, and the development of the jade in the Tang Dynasty was also very rapid. This must be a high degree of integration. The fusion of Chinese jade culture and Buddhist culture has a long history. The oldest jade road in China (4000 BC) is not only the cultural road of cultural exchange and spread of Buddhism between the Western Region and the Central Plains, but also the Kunlun Beauty Jade in the Western Region. - The passage of Xinjiang Hetian jade to the Central Plains. It can be said that in the Tang Dynasty, Hetian jade culture and Buddhist culture had an indissoluble bond.

Buddhism was created in ancient Tianzhu (Ancient India), and was introduced to China in the 2nd year BC (Yuanshou first year) when Han Xin, the emperor of Han Dynasty, was in the dynasty. The Buddhist monk of the Western Regions, the emperor of the United States, came to the DPRK, and the doctoral disciple Jing Lu was from the Iraqi depository. Since then, Buddhism has obtained official legal status in the Western Han Dynasty. Buddhism culture was popular in the Wei, Jin and Southern and Northern Dynasties. It flourished in the Tang Dynasty, merged with the feudal patriarchal thoughts of Confucianism in China, and integrated into Chinese traditional culture. We now have the theory of "Confucianism, Buddhism and Taoism" in our philosophical research.

Many of our jade statues now have a relationship with the Buddha. Various Buddha statues, Luohan, Guanyin Bodhisattva, etc. This is a distribution of the culture of jade and Buddha that the Tang Dynasty laid down for us. The Buddhist culture in Hetian jade in the Tang Dynasty is rich in cultural connotations. It is an important cultural feature of the jade articles of the Tang Dynasty. Among them, Feitian is a typical representative (the source of Yufeitian). It is the earliest flying jade in the era that is seen today. It is the same jade of the later generations. Pilot. We know that most of the Tang Dynasty was sapphire, and the Tang Dynasty has raised Hetian Baiyu as the main valuable jade. The materials used in the Feitian jade in the Tang Dynasty were all carved from the Xinjiang Hetian Yangzhi white jade seed material, showing the holiness and nobleness of the mountain flying in the jade and art. Feitian is one of the Buddhist gods of India. The Hindu Sanskrit called them "Gangdapo" and "Jinnao", that is, Tiange God and Tianle God, is the prototype of Feitian image. Legend has it that a couple flew into the bliss heaven, living in the beautiful Tiangong Shibaoshan, playing the piano singing and entertaining in the Buddha, so it is called flying, flying is a flying god with special functions, Chinese called the sound of the god. In Buddhism, it is portrayed as a fragrance that can sing and dance, and bring joy and happiness to the people. The styling features a light and beautiful woman, wearing a long skirt and a streamer, holding a lotus flower and holding a lotus flower. Fluttering nine miles, invited to swim in the sky, flying in space. The artistic style of Yu Feitian, the rhythm of the lingering, especially the beauty of the agility, shows the beauty of the carving. You can see this jade jade card for a glimpse.

The reason why the flying of Buddhism in the Tang Dynasty was widely accepted in China was because there were Taoist immortals in the Chinese mainland - Yu Ren. Taoism has the saying that "the immortal, the beam into the cloud, the wingless flight or the ride on the cloud, the creation of the heavens", the feathers of the foreign Buddhism have the same effect, so it can be hit. The flying image is a hybrid of "contained and changed" on the basis of Indian Buddhist art. Tang Yufeitian is a product of the combination of ancient romanticism and real life, praising the beauty, kindness, wisdom and dignity of women. Flying from the love of two people to the combination of two, showing a happy life view of the world, flying there, is a Lotte, Le Kong, happy land, is the product of love for life.

Tang Yufeitian expressed the exchange, integration and innovation of Buddhism and Taoism culture. Buddhism's blissful heaven is in harmony with the auspicious peace of the Tang Dynasty. Its aesthetic values ​​are joy and social harmony. It shows that the foreign Buddhist culture has evolved into a Chinese-style Buddhist culture, which is an indelible historical contribution made by the Tang Dynasty jade to the traditional Chinese jade culture.

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