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Qin Shaoyou's word cloud: "Golden style jade dew meets, but it wins but there are countless people." Jin and Yu have always been cherished by the Chinese, a golden light is exaggerated, a treasure is introverted, and their combination is complementary, in luxury and low-key, Gorgeous and flat in seeking balance. The golden jade artifacts that have survived for thousands of years are all about the "golden jade".
They are exposed to light, a brilliance, a luxury, a low-key, a gorgeous, and a flat. Perhaps it is the human nature that has the desire to be better and better, and the dream is to reach the peak of luxury in the superposition of two precious things; perhaps because of the pity of the damaged jade, let the flowing gold change Make up for the shortcomings of jade.
In the eyes of the Chinese, the golden jade objects represent the auspicious meaning and good wishes. It not only absorbs the "German" in the jade culture, but also its rich and colorful appearance is under the influence of Chinese traditional culture. Beyond the far-reaching significance of sensory aesthetics.
I don’t know gold jade
There is such a legend about the appearance of gold inlaid jade.
According to legend, during the Spring and Autumn Period, the Chu State’s He Shi’s ancestors flowed to the hands of Emperor Qin Shihuang. The Emperor Qin Shihuang ordered him to be made into a jade, and Li Si’s book was "accepted by the heavens, not only the Yongchang", but the five dragons were engraved and regarded as treasures. Qin Han Hanxing, Liu Bang used it as a national jade, passed to the end of the Western Han Dynasty, the two-year-old scorpion baby ascended, and the Tibetan jade was in Changle Palace. When the king was in the throne, Wang Hao forced the Empress Dowager Xiaoyuan to hand over the jade. The Queen Mother did not follow, and in a rage he threw a jade to the ground and fell off a corner. Wang Hao ordered the craftsman to repair it with gold. After repairing, the jade was more dazzling and was named "Golden Jade". Legend has it that this is the origin of "golden jade".
Because of its rarity, Jinyu has always been a valuable thing. It is wealth and a symbol of power. The gold-encrusted jade is naturally the Son of Heaven, and the golden sheath jade sword is not the blade of the battlefield to kill the enemy, but a valuable ritual, and the dragon-shaped dragon with the gold inlaid jade and silver also implies the power of power.
The ancients had a cloud: "There are eyes that don't know Jingshan jade." He's ç’§ is produced in Jingshan. This is to say that the beautiful jade is hidden in the stone. It is not recognized by everyone, and it does not mean the meaning of Mount Tai. Perhaps it is because the "Jingshan jade" is not popular enough, and the folks have changed it to "there is no eye for gold." Such a change can also be said to be true. The golden jade artifacts were not originally owned by ordinary people. For a long period of time, it was monopolized by the ruling class and was a symbol of class status.
The ancients used gold jade as a spiritual object, and believed that they could pass through God and even continue life. This is evidenced by a high-footed cup that was unearthed in the tomb of the Nanyue King of Western Han Dynasty. It consists of a sapphire cup, a bracket and a retaining plate. The shape is in the shape of a three-dragon arch cup, made of gold, silver and jade. , five kinds of materials, copper and wood.
In the Han Dynasty, "seeing death as a living", under the thick burial system, the "Golden Jade Clothes", the extravagant gold jade artifact was born. The jade pieces are neatly arranged after the garments. The seams are tight, the surface is smooth, and the colors are harmonious. It is truly amazing, reflecting the outstanding skills of the jade master and the extravagant life of the official.
"There is no eye for gold inlaid jade". In fact, it should not be the narrowness of people's vision. Just look at the amazing life and death of the emperors and nobles, whether it is used to gather the high-foot cup of nectar, or to be skillful. What are the ordinary people who can dream of?
The opening of the jade leaf
The Tang Dynasty was the golden age of gold and silverware. The Tang Dynasty was an open era. When the land and the maritime Silk Road were unblocked, foreign crafts and artifacts gave Chinese craftsmen a new inspiration, and the gold and jade were numerous. Pose, jade not only embraces the light of gold, but also accommodates the craftsmanship of exotic regions. For example, the Tang Dynasty gold frame Baoyu jade belt unearthed from the tomb of Dou Yu in Nanli Wangcun Village of Chang'an County, the jade is sleek and sleek, and the delicate silk is framed. The gemstones are inlaid with various colors, and the jade jewelry is brilliant, with obvious exotic style.
After entering the Song Dynasty, this style of golden light is not in line with the fresh and natural, quiet and subtle mainstream aesthetics of the Song Dynasty. At that time, the royal and literary doctors were fascinated by the porcelain that was not carved, and the golden jade objects would be difficult to shine. Until the Ming Dynasty, after Zheng He’s seven voyages to the West, overseas exchanges and trade once again spurred the collision of gold and jade. Driven by the looming capitalism, gold inlaid jade is becoming more and more commoditized and decorated, and it is full of playability and craftsmanship.
For example, a gold jade leaf collected in the Nanjing Museum, the golden dragon is like a living, you can see the mouth slightly, the forefoot uplifted, the hind foot slightly lifted, the flap texture is complete. The jade leaf system is made of Xinjiang Hetian Yangzhi white jade, and the veins are concave and convex.
Although the Qing Dynasty "closed the country", but the exchanges and trade between China and foreign countries have not been completely interrupted, Western cultural and artistic works as an effective means of mission. All of this made the Western mosaic technique and metal bead process absorbed by Chinese artisans, which made the gold-inlaid jade artifacts of the Qing Dynasty present a slender, prosperous and artificial art style.
The most representative is the trace of the stalwart jade that was introduced to China from India during the Qing Emperor Qianlong period. The jade itself is smooth and delicate, with the multi-layered stack of gold silk and various colored stones, which are gorgeous and gorgeous.
Every time the golden jade objects go to the prosperous style, they are almost all influenced by the exotic style, and they all have a gorgeous atmosphere. These are rich in the Chinese golden jade culture, and also expand our understanding of jade: jade is not only There is a restrained side of Baoguang. When it is combined with gold, it can also shine and shine.
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